Corporate Broadcasting

Corporate Livestreaming Checklist

The checklist we work through before a corporate broadcast goes live.

A corporate livestream is ready when the objective, audience, platform, speakers, content, connectivity, redundancy and recording plan have all been confirmed and rehearsed. Use the checklist below as a planning document, not as an on-the-day task list.

This article also answers: What should we check before a corporate livestream? · Livestream planning checklist for companies

Communication

  • What is the objective of this communication?
  • Who must see it, and where are they?
  • What should the audience do or understand afterwards?
  • How damaging would a failure be?

Audience and platform

  • Public, private or access-controlled?
  • Which platform does the audience already use?
  • One destination or several?
  • Do international viewers have access to that platform?

Speakers and content

  • Confirmed speaker list, with who is in the room and who is remote
  • Final presentations, videos and playback media received in advance
  • Graphics package: titles, lower thirds, holding slides
  • Running order with timings and hand-offs
  • Speaker checks and rehearsal scheduled

Technical

  • Verified upload bandwidth and a backup connection
  • Camera and audio plan for the room and the stream
  • Redundancy appropriate to the risk level
  • Monitoring of the outgoing stream during the broadcast
  • Recording plan, including isolated recordings if needed

After the broadcast

  • Who receives the recording, and in what format?
  • Subtitles, translations or highlights required?
  • Where will the content live afterwards?

Related questions

What information should we include in a brief?

Include the event date (or a range), city and venue, format, audience size in the room and online, the run of show if you have it, and what the production must achieve.

Helpful extras are floor plans, a technical rider, platform details, remote speakers, what is already covered by other suppliers and a budget range. If something is undecided, say so; the proposal will state its assumptions.

Also asked as: What do you need from us to quote an event? · How do we write a production brief?

What internet connection does a livestream require?

A livestream needs a stable, preferably dedicated, wired upload connection with headroom above the stream’s bitrate. Stability matters more than the headline speed in the venue’s brochure.

The right figure depends on the number of streams, their quality and any remote speakers sharing the line. We test the actual connection at the venue and, when the risk justifies it, plan a second connection.

Also asked as: How much bandwidth do we need to livestream an event? · Is hotel Wi-Fi good enough for streaming?

What is the difference between recording backup and live failover?

A recording backup protects the content; live failover protects the live audience’s viewing. They are different measures.

Recording the program locally (often on two recorders) means the content exists even if the stream drops, so it can be published afterwards. Live failover means the stream itself keeps running, for example through a second connection, a backup encoder or a secondary destination. A proposal should say which of these is included.

Also asked as: Does recording the event protect the live stream? · What is stream redundancy?

Related services and articles

Send us your brief

Tell us what you’re planning.

Share what you know so far: dates, city, venue, audience and what the production has to do. Unknowns are fine. We reply with questions or a scope-based proposal.