Production partner in Mexico

Your production team in Mexico.

We help agencies, producers, event planners and corporate teams deliver events, broadcasts and hybrid productions in Mexico, with local coordination built around your workflow.

Your vision. Our execution.

ICON colleagues in the Mexico City cafeteria watching the global program on room displays while a camera operator covers the presenter.
Mexico City hub for ICON’s global hybrid event, built around the broadcast producer’s workflow.

Recent productions

Trusted with productions for international organizations in Mexico

  • ICONGlobal hybrid event, local hub · Mexico City
  • Milken InstituteInternational investor forum with live stream · Mexico City
  • ITP AeroHybrid corporate All Hands · Querétaro, Mexico
  • SiGMAInternational conference and awards ceremony · Mexico City
  • Expertise FranceBroadcast series episode, multi-location · Mexico City

Each case study states the client, the production partners and our role.

What you can hire us to do

Services

Event production comes first. Broadcast and hybrid production are core capabilities. Each service page explains the scope, what needs separate confirmation and what drives the price.

All services

How we work with your team

Built around your workflow

We join your project as an extension of your team. You keep the concept, the client and the direction. We make the local technical production work.

01

Your brief guides the work

We start from your brief, rider and run of show. We plan technical systems and production workflows; we do not take over your creative concept.

02

Scope and responsibilities are agreed

A written scope lists what is included, what is excluded and who owns each system, decision and line of communication.

03

Local coordination connects everyone

One technical lead connects your team with the venue, our crew and other local suppliers, before and during the event.

04

Your client relationship is respected

Client contact, branding, confidentiality and portfolio permissions are agreed with you in advance when they are relevant.

We describe how we work, not a contractual guarantee. Specific commitments are set out in each proposal.

Production Partner

Evidence

Featured case studies

Real productions, described with each party’s role, the technical workflow and the results the projects actually delivered.

Local control position for the ICON Mexico City hub: video switchers, program monitors and a streaming encoder operated by the crew.

ICON · Mexico City

ICON global hybrid event: the Mexico City hub

An international broadcast producer needed a local team to build and run the Mexico City hub of a global hybrid event around its own workflow.

DV4 directed the global broadcast. Castelein AV built and ran the Mexico City hub.

Plenary session of the Milken Institute Global Investors Symposium at the Four Seasons Hotel Mexico City, with LED screens and stage lighting.

Milken Institute · Mexico City

Milken Institute Global Investors Symposium

Five event spaces at the Four Seasons Mexico City run as one technical production, briefed through a UK-based agency.

Briefed by a UK agency for Milken Institute. Technical production by Castelein AV.

Production control area inside the ITP Aero plant in Querétaro, with crew in safety vests at the monitors.

ITP Aero · Querétaro, Mexico

ITP Aero All Hands 2026

A hybrid All Hands on an aerospace plant floor: 125 people in the room and more than 1,500 colleagues on Teams in four countries.

Turnkey production by Castelein AV for ITP Aero.

Camera operator recording an interview on the SiGMA North America 2026 exhibition floor.

SiGMA · Mexico City

SiGMA North America 2026

An awards ceremony and two conference days in Mexico City, produced as one video scope feeding room screens and two live streams.

Video production and streaming by First Impact for SiGMA.

All case studies

How the process works

From brief to live delivery

The same sequence applies to a single room or a multi-site broadcast; the depth of each step changes with the project.

  1. Brief

    You share what you know: dates, city, venue, audience, format and what the production must do.

  2. Technical review

    We review the brief, venue and rider and come back with questions or a call.

  3. Scope and proposal

    A written scope with inclusions, exclusions, assumptions and price.

  4. Planning and rehearsal

    Venue advance, signal flow, crew plan, tests and rehearsals.

  5. Live delivery

    Our crew runs the agreed systems to your show flow and your producer’s direction.

  6. Agreed deliverables

    Recordings and other agreed files are delivered after the event.

Supporting digital services

Event websites and landing pages

When an event needs a public page, we can build it alongside the production so agenda, stream and replay links line up.

  • Event information, agenda and speaker pages
  • Livestream viewing and replay pages
  • Integration with your chosen registration platform

About event websites

Who we are

Backed by Castelein AV

Portrait of Aymeric CasteleinPortrait of Eric Zwanenburg

First Impact was founded by Aymeric Castelein and Eric Zwanenburg and is backed by the team, experience and production infrastructure of Castelein AV, the audiovisual production company Aymeric founded in Mexico.

The First Impact name is new. The team behind it has been producing events in Mexico for more than two decades.

About First Impact

Before you send a brief

Common questions

Straight answers to the questions buyers ask most. The full FAQ covers 46 questions.

What does First Impact do?

First Impact is a Mexico-based production partner that plans and runs the technical side of events, live broadcasts and hybrid productions. We work for agencies, producers, event planners and corporate teams, and we integrate into their way of working rather than replacing it.

In practice that means audio, video and LED, lighting, cameras, switching, streaming, recording and the crew to operate them, plus the local coordination with venues and suppliers that makes those systems work on the day.

Do you implement an existing creative concept?

Yes. Implementing an approved concept is a core part of what we do. We translate your brief into a technical scope, propose how to achieve it in the venue, and flag practical constraints early.

We plan technical systems and production workflows. We do not take ownership of the creative concept, the content or the show design unless that is explicitly agreed.

What is the difference between equipment rental and full technical production?

Equipment rental supplies the equipment; full technical production supplies the planning, coordination, crew and live operation that make it work.

Between the two sits equipment with technical operation, where we provide the systems and the technicians to run them while your producer directs. Coordinated technical production adds the site visit, venue advance, signal flow, crew plan and rehearsals under one technical lead. Tell us which you need so proposals can be compared fairly.

How is professional streaming different from a standard video meeting?

A video meeting transmits a webcam and a microphone; a professional stream transmits a directed program. Production adds cameras, broadcast audio, graphics, presentation control, live switching, monitoring and local recording.

Teams and Zoom are still useful as platforms or as a way to bring in remote speakers. The difference is what you feed into them and who is watching the output.

What is the difference between recording backup and live failover?

A recording backup protects the content; live failover protects the live audience’s viewing. They are different measures.

Recording the program locally (often on two recorders) means the content exists even if the stream drops, so it can be published afterwards. Live failover means the stream itself keeps running, for example through a second connection, a backup encoder or a secondary destination. A proposal should say which of these is included.

What determines production pricing?

Pricing depends on the systems, crew and time your event needs, not on a fixed package. The main drivers are the number of rooms and locations, screens and cameras, microphones, streaming and remote speakers, crew positions and hours, and logistics.

Connectivity, backup levels, rehearsals and post-event deliverables also affect the budget. Each service page lists its own pricing factors. If you share a budget range, we can propose a scope that fits it and explain the trade-offs.

How are additional requests and scope changes handled?

Scope changes are reviewed and confirmed in writing before they are carried out, together with any effect on cost, crew, schedule or availability.

Events change, and a proposal can be revised as the agenda, venue or content evolves. For SiGMA North America 2026, the technical and commercial proposal was reworked during planning so the essential production stayed within the approved budget.

How do we start working together?

Send us your brief through the form on this site with what you know so far; unknowns are fine.

We review it, come back with questions or a call if needed, and then prepare a written scope and proposal. Nothing is booked until the scope and terms are confirmed in writing.

All questions

Send us your brief

Tell us what you’re planning.

Share what you know so far: dates, city, venue, audience and what the production has to do. Unknowns are fine. We reply with questions or a scope-based proposal.