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Event AV & Technical Production
Audio, LED and video, lighting, cameras and crew for conferences, corporate events and launches, coordinated with your venue and run to your show flow.
Production partner in Mexico
We help agencies, producers, event planners and corporate teams deliver events, broadcasts and hybrid productions in Mexico, with local coordination built around your workflow.
Your vision. Our execution.

Recent productions
Each case study states the client, the production partners and our role.
What you can hire us to do
Event production comes first. Broadcast and hybrid production are core capabilities. Each service page explains the scope, what needs separate confirmation and what drives the price.
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Audio, LED and video, lighting, cameras and crew for conferences, corporate events and launches, coordinated with your venue and run to your show flow.
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Multicamera streams, town halls, webinars and executive broadcasts: directed, delivered to your platform and recorded.
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Remote speakers, Zoom or Teams integration, and several rooms or locations connected into one program that works in the room and online.
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Your technical team on the ground in Mexico: venue advance, equipment, crew and live operation, working to your direction and your workflow.
How we work with your team
We join your project as an extension of your team. You keep the concept, the client and the direction. We make the local technical production work.
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We start from your brief, rider and run of show. We plan technical systems and production workflows; we do not take over your creative concept.
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A written scope lists what is included, what is excluded and who owns each system, decision and line of communication.
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One technical lead connects your team with the venue, our crew and other local suppliers, before and during the event.
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Client contact, branding, confidentiality and portfolio permissions are agreed with you in advance when they are relevant.
We describe how we work, not a contractual guarantee. Specific commitments are set out in each proposal.
Evidence
Real productions, described with each party’s role, the technical workflow and the results the projects actually delivered.

ICON · Mexico City
An international broadcast producer needed a local team to build and run the Mexico City hub of a global hybrid event around its own workflow.
DV4 directed the global broadcast. Castelein AV built and ran the Mexico City hub.

Milken Institute · Mexico City
Five event spaces at the Four Seasons Mexico City run as one technical production, briefed through a UK-based agency.
Briefed by a UK agency for Milken Institute. Technical production by Castelein AV.

ITP Aero · Querétaro, Mexico
A hybrid All Hands on an aerospace plant floor: 125 people in the room and more than 1,500 colleagues on Teams in four countries.
Turnkey production by Castelein AV for ITP Aero.

SiGMA · Mexico City
An awards ceremony and two conference days in Mexico City, produced as one video scope feeding room screens and two live streams.
Video production and streaming by First Impact for SiGMA.
How the process works
The same sequence applies to a single room or a multi-site broadcast; the depth of each step changes with the project.
You share what you know: dates, city, venue, audience, format and what the production must do.
We review the brief, venue and rider and come back with questions or a call.
A written scope with inclusions, exclusions, assumptions and price.
Venue advance, signal flow, crew plan, tests and rehearsals.
Our crew runs the agreed systems to your show flow and your producer’s direction.
Recordings and other agreed files are delivered after the event.
Supporting digital services
When an event needs a public page, we can build it alongside the production so agenda, stream and replay links line up.
Who we are


First Impact was founded by Aymeric Castelein and Eric Zwanenburg and is backed by the team, experience and production infrastructure of Castelein AV, the audiovisual production company Aymeric founded in Mexico.
The First Impact name is new. The team behind it has been producing events in Mexico for more than two decades.
Before you send a brief
Straight answers to the questions buyers ask most. The full FAQ covers 46 questions.
First Impact is a Mexico-based production partner that plans and runs the technical side of events, live broadcasts and hybrid productions. We work for agencies, producers, event planners and corporate teams, and we integrate into their way of working rather than replacing it.
In practice that means audio, video and LED, lighting, cameras, switching, streaming, recording and the crew to operate them, plus the local coordination with venues and suppliers that makes those systems work on the day.
Yes. Implementing an approved concept is a core part of what we do. We translate your brief into a technical scope, propose how to achieve it in the venue, and flag practical constraints early.
We plan technical systems and production workflows. We do not take ownership of the creative concept, the content or the show design unless that is explicitly agreed.
Local Production Support for Agencies and International Producers
Equipment rental supplies the equipment; full technical production supplies the planning, coordination, crew and live operation that make it work.
Between the two sits equipment with technical operation, where we provide the systems and the technicians to run them while your producer directs. Coordinated technical production adds the site visit, venue advance, signal flow, crew plan and rehearsals under one technical lead. Tell us which you need so proposals can be compared fairly.
A video meeting transmits a webcam and a microphone; a professional stream transmits a directed program. Production adds cameras, broadcast audio, graphics, presentation control, live switching, monitoring and local recording.
Teams and Zoom are still useful as platforms or as a way to bring in remote speakers. The difference is what you feed into them and who is watching the output.
Live Streaming & Broadcast Production · Microsoft Teams vs Professional Event Broadcasting
A recording backup protects the content; live failover protects the live audience’s viewing. They are different measures.
Recording the program locally (often on two recorders) means the content exists even if the stream drops, so it can be published afterwards. Live failover means the stream itself keeps running, for example through a second connection, a backup encoder or a secondary destination. A proposal should say which of these is included.
Pricing depends on the systems, crew and time your event needs, not on a fixed package. The main drivers are the number of rooms and locations, screens and cameras, microphones, streaming and remote speakers, crew positions and hours, and logistics.
Connectivity, backup levels, rehearsals and post-event deliverables also affect the budget. Each service page lists its own pricing factors. If you share a budget range, we can propose a scope that fits it and explain the trade-offs.
Scope changes are reviewed and confirmed in writing before they are carried out, together with any effect on cost, crew, schedule or availability.
Events change, and a proposal can be revised as the agenda, venue or content evolves. For SiGMA North America 2026, the technical and commercial proposal was reworked during planning so the essential production stayed within the approved budget.
Send us your brief through the form on this site with what you know so far; unknowns are fine.
We review it, come back with questions or a call if needed, and then prepare a written scope and proposal. Nothing is booked until the scope and terms are confirmed in writing.
Send us your brief
Share what you know so far: dates, city, venue, audience and what the production has to do. Unknowns are fine. We reply with questions or a scope-based proposal.